In the grand tradition of Edward Gorey's Gashlycrumb Tinies, Tim Burton's Melancholy Death of Oyster Boy and Hillaire Belloc's Cautionary Tales for Children, comes Douglas Coupland and Graham Roumieu's Highly Inappropriate Tales for Young People. Ever wonder what would happen if Douglas Coupland's unhinged imagination met Graham Roumieu's insane knack for illustrating the ridiculously weird? The answer is seven deliciously wicked tales featuring seven highly improbable, not only inappropriate, characters, including Donald the Incredibly Hostile Juice Box, Hans the Weird Exchange Student, Brandon the Action Figure with Issues and Kevin the Hobo Minivan with Extremely Low Morals. If you are over the age of consent, seriously weird or just like to laugh, you'll love the unlovable miscreants who unleash their dark and unruly desires on every page of these unsuitable, completely hilarious tales.

In his eagerly anticipated follow-up to Me Write Book, Bigfoot returns from exile to share his inspiring, hilarious, and often deeply disturbing experiences as a misunderstood forest gentleman and tragic media darling. These entertaining and often grizzly stories stand not only as a testament to the greatness of the legendary man-beast, but also as a chilling cautionary tale of the downside of a life of celebrity, cannibalism, celebrity cannibalism, wanton violence, and lack of toilet training. As in Me Write Book, full-color glossy spreads depict every intimate, disgusting, and downright insane moment of Bigfoot’s life. Bigfoot: I Not Dead is an unforgettable memoir that will stay with readers long after his foul scent has dissipated.

Like many reclusive celebrities, Big Foot is misunderstood. In his touching memoir Me Write Book he wants to set the record straight, proving that although he’s larger, hairier, and more foul-smelling than most of us, he’s really not so different underneath. Only the most coldhearted among us could look on without compassion as this hirsute Everyman struggles bravely with casual cannibalism, Pringles potato crisps, embarrassing moments with peach Schnapps, the desperate loneliness of personal ads, and philosophical quandaries. Readers will never forget the plaintive voice from the wilderness that howls from every page of this searing, intimate account of a man-beast in the promised land.

An inspired collection of new fiction from some of today’s most celebrated writers, exploring the charm, potency and seductive powers of a classic genre . . . the love letter. When did you last receive a love letter? Have emails and text messages taken over from this romantic form of communication? Would a love letter by a novelist or poet be better than one written by you or me? How would the literary traits of a writer shape the love letters he or she writes? And might a love letter tell us something about its author their other writing could not? Editors Joshua Knelman and Rosalind Porter have assembled an exciting and unique collection of new fiction: they’ve asked some of our most celebrated contemporary writers to explore the distinctive form of the love letter to remind us how enticing words can be and perhaps even to resurrect a dying custom. Each of the pieces in this anthology is radically different from the others, each is a testimony to the creative powers of our leading writers today, and each is guaranteed to seduce. Four Letter Word brings us work from 35 of today’s best writers, including Margaret Atwood, Miriam Toews, David Bezmozgis, Douglas Coupland, Michel Faber, A.L. Kennedy, Audrey Niffenegger, Lionel Shriver, Jan Morris, Jeanette Winterson, Chimamanda Ngozi Adichie, Joseph Boyden, Panos Karnezis, Jonathan Lethem, Graham Roumieu, M.G. Vassanji and Neil Gaiman.